How does one film iconic spaces or structures of a city without repeating the usual aesthetic and formal solutions? “Ponte icônica em metal sobre o Douro” is an ingenious twist on the camera obscura technique, in an experimental exploration between architectural space and sound
How does one film iconic spaces or structures of a city without repeating the usual aesthetic and formal solutions? “Ponte icônica em metal sobre o Douro” is an ingenious twist on the camera obscura technique, in an experimental exploration between architectural space and sound
Cristiano Alvez
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